6 Things we can learn about animation from HeadSpace, Google, and more

6-Things-we-can-learn-about-animations-from-HeadSpace-Google-and-more

Telling stories through animation has become increasingly popular, with Walt Disney being the pioneer in creating captivating 2D animated stories. Animation plays a crucial role in digital product design, not only adding beauty but also informing and engaging users to navigate through products more easily. The principles of animation allow digital interfaces to mimic real-world experiences effectively, making motion design an essential aspect of product attractiveness and usability.

As animation becomes integral to digital platforms, it also leads to a rise in job opportunities in the field. Many enthusiasts seek animation tutorials to fulfill their learning needs, and prominent platforms like HeadSpace and Google have contributed significantly to animation education. These platforms have unveiled game-changing facts for learners, which are outlined below:

Fact 1: Let motion show instead of saying

6 Things we can learn about animation -KrishaStudio

The world is accustomed to physical products, but experiencing a product’s type and quality no longer requires ownership. Animation designers have a unique advantage in creating interfaces that profoundly impact user interaction: knobs turn, switches flip, and buttons depress. While software products are accessed through two-dimensional screens, users may become confused when their actions don’t yield the expected results. According to author Ryan McLeod, animation adds significant value to software by providing context without requiring physical movement. Even without moving parts, animation can simulate visible change.

Motion invites discovery and enhances software usability by capturing attention and guiding users intuitively. Instead of simply telling users what to do, animation demonstrates actions, making interfaces more engaging and emotionally resonant. Examples include Tinder’s playful gestural animations and the soothing, subtle animations in the HeadSpace interface.

Experts emphasize that animation has the power to evolve and enhance users’ understanding of features, transforming technical tools into extensions of human thought processes. As a result, the use of animation is becoming increasingly vital in creating user experiences that not only guide users effectively but also elevate software into extensions of the human mind.

Fact 2: Always consider animation’ 7 basic principles

Sometimes beginners feel overwhelmed when it comes to creating effective motion design. However, experts suggest that everything becomes manageable and effective when you follow the seven principles of animation outlined in Frank Thomas and Ollie Johnston’s book, “Disney Animation: The Illusion of Life.” These principles have the power to create magic in animation.

 Animation 7 basic principles -KrishaStudio

The 7 principles are timing, pacing, staging, follow-through, secondary action, overlapping action, and appeal. These principles have been developed after reviewing various eras and mediums of work, and they have been proven to create a significant impact on audiences. This impact is particularly evident in the work of modern designers.

When observing cartoon videos, you may notice that when characters collide with a rock or a wall, their ears don’t come to a sudden stop. Instead, they display a natural springiness, continuing their trajectory even as the main body comes to rest. Designers apply similar principles to motion in digital products. According to author Ryan McCleod, if objects slightly overshoot their final resting place with a subtle springiness, it adds realism and engagement to the animation.

Fact 3: Align some human natures to products for engagement

An appeal is a crucial aspect when creating captivating animations. Many popular animated characters are characterized by exaggerated features, such as larger eyes, floppy ears, and oversized heads, which lend them a more human-like quality. According to author Ryan McLeod, incorporating these features into animated characters makes them more relatable and endearing to audiences.

Align some human natures to products for engagement -KrishaStudio

Expert designers acknowledge the importance of imbuing products with appeal to achieve business success. Appeal in animations goes beyond mere branding—it can help attract users, retain their interest, and foster engagement. For instance, in the case of HeadSpace, the use of friendly and quirky animations makes the abstract concept of mindfulness more accessible to users. By incorporating metaphors and endearing characters, HeadSpace creates a more engaging experience for its audience. Additionally, designers have observed that polished animations with personality tend to garner more positive responses from users. 

Fact 4: Collaborate early to ensure victory

Collaborate early to ensure victory -KrishaStudio

Collaboration is a crucial aspect of product design, especially when it comes to implementing motion in interfaces. According to industry leaders, integrating animation at the outset of the design process is far more effective than adding it as an afterthought. Starting with animation from the beginning allows for deliberate inclusion and ensures that it is seamlessly integrated into the overall design. It also enables designers to communicate effectively with their engineering counterparts, helping them understand the limitations of the medium and the constraints of the programming environment. Additionally, early integration of animation allows teams to allocate sufficient time for building and testing animation features, including accessibility and support for assistive technologies.

Fact 5: Balance with design systems

Balance with design systems -KrishaStudio

Design systems play a crucial role in maintaining consistency across products, reducing duplication of effort, and enabling teams to develop products more efficiently. Integrating animation into design systems is essential for incorporating motion design into products at scale.

Google, a leading search engine giant, annually hosts the Material Design Awards to showcase companies utilizing their design systems effectively. Design systems offer an efficient way to scale efforts across various platforms, products, and devices by:

By integrating motion into their design systems, product teams can identify areas where motion can have a significant impact without redesigning the entire experience for each new service, product, or feature.

Eric Henry, a Senior UI designer at Google, emphasizes that motion celebrates important moments in the user journey and serves as an effective means of demonstrating empathy.

Fact 6: Earn trust through consistency

Earn trust through consistency -KrishaStudio

Design systems are vital for maintaining consistency across products, while consistency within a product is equally important for a good user experience. Inconsistencies in motion can lead to cognitive load for users, undermining confidence and hindering exploration. Therefore, it’s essential to adhere to interface principles to maintain consistency and promote usability.

In addition to consistency, three principles—nuance, humanity, and fluidity—are key to successful motion design:

Following and implementing all these principles will make interactive experiences more cohesive, subtle, and human.

Conclusion

Enhancing product design through animation has become essential in today’s digital landscape, with animation playing a crucial role in digital presence. Many individuals are pursuing careers in animation, recognizing its significance in creating innovative designs. Staying updated with new animation tutorials is vital to remaining competitive in this field.

For anime product design needs, KrishaStudio offers exceptional services. With a stellar reputation and a 100% client satisfaction rate, KrishaStudio provides a wide range of services and unparalleled expertise. Whether you require whiteboard videos or corporate videos, KrishaStudio ensures creativity that reflects your brand identity.

When seeking a top animated video production agency, many turn to KrishaStudio as their first choice. If you need creative animation solutions, contact KrishaStudio today!

Slow in and Slow out effective animation principles

Slow-in-and-Slow-out-the-basic-principles-of-animations

Slow in” and “slow out” are common terms used in animation design, describing the gradual acceleration or deceleration of movement. These principles mirror real-world physics, where objects tend to start and stop moving progressively rather than abruptly. Essentially, when animating an object starting from rest, the spacing between frames needs to increase gradually until the desired speed is reached. Similarly, when bringing an object to a stop, the spacing decreases until it reaches zero.

The concept of spacing has been integral to animation since its early days on paper. Even in hand-drawn animations, the space between corresponding parts of characters’ drawings affects the perception of movement. Larger spacing typically indicates more significant movements.

To achieve smooth and realistic animation, it’s essential to adhere to basic animation principles, including proper spacing, timing, and easing in and out of movements. These principles ensure that the animation appears natural and visually appealing to the audience.

Basic animation principles

Arcs play a crucial role in creating attractive and engaging animations by effectively depicting acceleration and deceleration. Understanding arcs can be simplified through basic physics concepts such as translation, velocity, and acceleration.

Translation refers to the movement of an object from one position to another, while velocity represents the rate of change of position over a fixed time. Acceleration, on the other hand, measures the rate of change in velocity over time.

In animation, the position of an object corresponds to its location on the screen. Translation describes how far the object moves between frames, with velocity and acceleration factoring in time. Adding frames increases the duration of the animation, leading to slower velocity, while acceleration illustrates how velocity changes over time.

When the spacing between frames remains consistent, it indicates zero acceleration and steady velocity. Conversely, reducing spacing signifies deceleration, where velocity decreases over time. By incorporating arcs into animations, designers can effectively portray these changes in velocity and acceleration, resulting in smoother and more dynamic motion sequences.

Maya spacing is common

In Maya spline tangents, we observe distinct slow in and slow out effects, which are automatically generated with appropriate acceleration or deceleration. When determining movement spacing in animations, several factors must be considered, including the character’s personality, physiology, and animation style.

The concept of overlap and follow-through can be applied, allowing different parts of the character to have varying spacing. This technique adds depth and realism to the animation by simulating how different parts of the character react differently to movement.

Another fact of physics! Force = mass x acceleration

The equation f=m*a provides another straightforward way to understand spacing and apply it effectively in animation. According to this equation, for a given force, a heavier object will accelerate more slowly. As a result, the spacing in the animation needs to increase more gradually for heavier objects, particularly during the slow-out phase.

This concept is evident in drawings and frames depicting slow-out, where the spacing gradually increases as the object slows down. Additionally, it’s important to consider external forces such as gravity when animating objects falling. In such cases, the downward spacing should consistently increase as the object descends until it reaches the ground.

A common mistake to avoid is failing to adjust spacing appropriately based on the forces acting on the character. For instance, when an object is about to hit the ground, its spacing should reflect the increasing acceleration due to gravity. Understanding the relationship between acceleration and forces is fundamental in creating realistic animations.

Spacing tools for Maya

For CG animations, there are several effective spacing tools available, with the arc-tracker being one of the most common options. This tool allows animators to visualize both the arc of movement and the spacing of specific parts of a character. However, a limitation of this tool is that it typically tracks a control curve or joint rather than the actual geometry of the character’s body parts. Despite this drawback, the arc-tracker is a valuable tool that should be incorporated into regular polishing routines.

In the traditional animation era, animators used to track arcs and spacing on different sheets of animation paper using various colored pencils for different body parts. Many modern animators still follow this approach but use dry-erase markers directly on the screen instead. To maintain a clean monitor while employing this technique, animators can utilize Maya’s Grease Pencil tool. While it may seem messy, the Grease Pencil tool is quick and functional, offering powerful capabilities that work in both 3D space and screen space. Therefore, it comes highly recommended by experts in the field.

Spacing is not Timing

Many people often confuse spacing with timing, but they are distinct concepts in animation. Timing refers to when actions occur and how long they last, while spacing defines how actions unfold.

To illustrate this distinction, consider a quarter-mile race between a regular car and an electric car. Both cars start and finish the race together, but their movements differ in timing and spacing. The electric car accelerates smoothly and rapidly to reach its top speed, maintaining even spacing throughout the race. In contrast, the regular car accelerates more slowly, experiencing brief decelerations each time the driver changes gears. Despite these differences, both cars complete the race in the same amount of time, demonstrating how timing can remain consistent while spacing varies significantly.

Spacing applies to your character, not the Graph Editor curves

One common mistake in animation is attempting to fix the spacing graph editor curves unnecessarily. It’s important to avoid this mistake because adjusting the spacing graph editor won’t necessarily improve the animation. Instead, focus on how the animation looks on the screen. This is especially important when working with IK controls, where the visual appearance of the animation takes precedence over the technical details of the graph editor curves.

Spacing (like arcs) applies to every part of the body

In animation, every part of a character’s movement follows its own arcs and has its own spacing. This principle applies not only to body movements but also to facial animation.

Fine-tuning spacing comes later in the animation process, typically when the animation is already well-developed. During the blocking stage, you can use stepping tangents to maintain focus on key points. Cleaning up spacing can be a messy task, so it’s best not to spend too much time on it if the timing and posing are still being adjusted. Additionally, it’s important to remember that good spacing doesn’t always mean perfectly smooth spacing. Sometimes, a bit of roughness or grittiness in the movement can add to its realism. Striving for perfection in spacing may not be necessary, as real-life movement is rarely flawless.

Conclusion

These principles of animation may seem common, but they can have a significant impact on the final result. Animation is about imbuing characters with human-like qualities and presenting them to the audience in a captivating manner. While the concept may seem simple, making it understandable and engaging for the audience is no easy feat. Even a small mistake can detract from the overall value of the animation. That’s why experts need to identify common mistakes and provide guidance on how to avoid them.

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